When a tour routes through Atlanta, the day only works if the local vendor has read the rider. We spec the system against it, advance the date with your production manager, and walk in with the same crew that will be at front of house after doors. Audio, lighting, LED video and staging, out of one shop.
Send the tech pack, the stage plot and the input list. We come back with a spec that names every box, and if your rig and ours disagree somewhere, you hear about it before the truck leaves the shop.
K2 and Kara II arrays over KS28 subs, LA-RAK II AVB, and X15 HiQ monitors on the deck, tuned for the room your date is in.
Movers, washes and FX fixtures, programmed and run from grandMA3 consoles. Haze and lasers when the set calls for it.
Indoor and outdoor LED walls with NovaStar processing behind them, plus the switching and playback to run your content and the camera feed.
The Apex 3224 mobile stage or a truss roof over modular decking, with the power and weather plan drawn before anyone loads a truck.
Yes. Send the rider, the stage plot and the input list, and we spec against them. Anything we would substitute gets named on the advance call, not on the day.
The crew chief who will be on site. The person on the advance call is the person at load-in, so nothing gets lost between the two.
L-Acoustics K2 and Kara II line arrays over KS21 and KS28 subs, driven by LA-RAK II AVB, with X15 HiQ monitors on stage. Tuned for the room your date is in, not for the last one.
Yes. The Apex 3224 mobile stage or a truss roof over modular decking, built to the wind and rain call with the power plan drawn before load-in.
We cover the Atlanta metro, plus the wider Southeast. We travel beyond that for the right job.
