We build audio around the room, from a boardroom of twelve to a festival field. Engineering, gear, and the crew to run it, so the back row hears what the front row hears.Audio rarely goes out on its own, so it sits inside the rest of what we do as an Atlanta event production company.
The Audio Shop
Sound system rental in Atlanta, from a boardroom of twelve to a festival field. Delivered, flown, and tuned by the engineers who run it.
Full Format Line Arrays
L-Acoustics K2 and Kara II arrays with KS28 subs and LA-RAK II AVB amplification, for arenas, festivals, and full ballrooms.
Mid Format Systems
Kara II and KS21 builds for mid-size rooms and outdoor crowds.
Small Format and Ballroom
Compact systems for receptions, breakouts, and speech-first events.
RF and Wireless
Coordinated wireless microphones and IEMs, frequency-planned for the venue.
Control and Monitoring
Digital consoles at front of house and monitor world, X15 HiQ wedges on the deck, and an engineer at each position who has run the show file before doors.
The Rig
Indoor & outdoor concerts | Corporate event audio production | Music festivals | Church services | Receptions
Every number below comes from the manufacturer's published specs.
K2
147 dB at 1 m. 35 Hz to 20 kHz. Panflex horizontal coverage: 110 or 70 symmetric, 90 asymmetric. 10 degrees vertical per element. 2 x 12 inch LF, 4 x 6.5 inch MF, 2 x 3 inch HF. 123 lb a box.
Arenas, theatres, festival fields, full ballrooms.
Kara II
142 dB at 1 m. 55 Hz to 20 kHz. Four Panflex patterns: 70 or 110 symmetric, 90 asymmetric either way. 2 x 8 inch LF, 1 x 3 inch HF. 57 lb a box.
Ballrooms, keynotes, mid-size outdoor.
KS28
143 dB peak at 1 m, half space. 25 Hz at -10 dB. 2 x 18 inch neodymium. Standard or cardioid. Two point rigging, flown or ground stacked. 174 lb.
Under K2 or Kara II, indoors and out.
KS21
138 dB peak at 1 m, half space. 29 Hz at -10 dB. 1 x 21 inch neodymium. Standard or cardioid. 108 lb.
Under Kara II, mid-size rooms and outdoor.
Peak SPL is measured at 1 m in free field, pink noise at crest factor 4. The KS28 figure is half space.
Compact arrays. dBTechnologies DVA T12, 60 Hz to 19 kHz, three-way active, 64 lb a box. DVA T8, 66 Hz to 18 kHz, three-way active, 31 lb a box. QSC KLA12, 49 Hz to 18 kHz, 90 by 18 degrees, 55 lb.
Point source and fill. QSC K10, 56 Hz to 20 kHz, 90 degrees axisymmetric, 32 lb.
Monitors. dBTechnologies DVX DM15, 59 Hz to 19 kHz, 15 inch two-way active, 46 lb.
Subs. dBTechnologies DVA S30N, 30 Hz to 120 Hz, 2 x 18 inch, 183 lb. QSC KW181, 40 Hz to 112 Hz, 18 inch, 94 lb.
Frequency response as each manufacturer publishes it.
Tolerances may differ by brand.
We cover the Atlanta metro, including Sandy Springs, Marietta, and Alpharetta, plus the wider Southeast. We travel beyond that for the right job. Delivery and setup at your venue are included in every rental.
We rent L-Acoustics line array systems, including K2 and Kara II arrays with KS21 and KS28 subwoofers, along with RF wireless microphones, digital consoles, and stage monitoring. Systems scale from small ballroom setups to full concert and festival formats.
Yes. K2 and Kara II line arrays with KS21 and KS28 subs, run by our own engineers. Five system tiers, sized to the room.
Yes. Our in-house engineers handle setup, mixing, and show operation, from load-in to the final cue.
We support concerts, festivals, corporate events, conferences, weddings, and ballroom events throughout the Atlanta area, with sound systems matched to the size and style of each venue.
Usually Kara II, and usually fewer boxes than people expect. It covers that room at 142 dB at one meter and flies from points a hotel ballroom will actually give you. K2 comes in when the room is a theatre or the program is a band.
There is no single figure. Coverage depth comes from box count, array curvature and the SPL you need at the back row, which is why a spec starts with the room and not the box. L-Acoustics publishes horizontal coverage per box and declines to publish a vertical figure, for the same reason.
To keep the low end off the back wall. A standard sub array radiates behind itself as well as forward, and in a ballroom that energy comes back at the stage. Cardioid gives up some forward output to cancel the rear, which is the right trade in a room with hard surfaces behind the band.
